Fluke Six Pack

Fluke Six Pack

The Fluke Six Pack collects issues 11, 13, 16, 17, 18 & 19. That's 324 pages for only $14.99! While supplies last (no more reprints!).

Fluke #19
An exploration into the world of the pioneers of Mail Art. We traveled far and wide for interviews with buZ blurr, John Held, Jr, Anna Banana, Leslie Caldera, EF Higgins III, Ryosuke Cohen, Noriko Shimizu, Henry Denander and more. Bonus interview from 1977 with the Father of Mail Art, Ray Johnson. The stalwarts of Mail Art who have been active in the movement since the '70s and '80s are all here at your fingertips!

2nd edition, 76 pages, half-size perfect bound book


Fluke #18
This issue focuses on outsider art and culture.

We caught up with filmmaker, photographer and cinematographer Bill Daniel—creator of the experimental documentary film Who is Bozo Texino?—and talked about zines, Aaron Cometbus and Bill's train-hopping adventures that eventually led to discovering the moniker writers of the US railways system.

Susan A. Phillips of Pitzer College and author of The City Beneath: A Century of Los Angeles Graffiti has been researching graffiti since 1990. Susan shares with us her vast knowledge and discoveries, including graffiti dating back to the early 20th century by legendary hobo A-No. 1.

We welcome back Gary Floyd (Dicks, Sister Double Happiness), who was featured in Fluke 15 in 2018. I had two friends submit interviews with Gary, this is the second one. Gary talks about growing up in Gurdon, Arkansas, moving to Austin and forming the Dicks, and touring with Nirvana with Sister Double Happiness.

Sergej Vutuc—photographer, zine maker, skateboarder and musician now based in Paris, France—contributes his skateboarding photographs that are like none other.

buZ blurr of Colossus of Roads fame writes about connecting with Bill Daniel in the early '90s, during Bill's search for Bozo Texino. buZ also contributed art for this issue.

Linda Kite writes about her relationship with D Boon (Minutemen) and the Desolation Center shows around Los Angeles in the early to mid '80s.

Also in this issue you'll find more art and photographs as well as writings about skateboarding, music, art and friendship. It is my hope that this issue will inspire you to keep searching, keep creating and keep living through these troubled times.

56 page zine


Fluke #17
"It's been incredible to witness our work on MARCH be so widespread, relatively influential, and to play a role in the eternal battle to legitimize comics in the eyes of the broader public. But that legitimization has often come at the price of rejecting the mainstream superhero comics which shaped so many of us. Whenever I speak to crowds about MARCH, I feel it's important to note that my social conscience was birthed from a potent combination of thrash metal and Chris Claremont's long run writing X-MEN in the '70s and '80s - superhero comics provided that powerful lens by which to perceive racism, sexism, homophobia, xenophobia, and nationalism in the world around me, just as my world really started to open up in adolescence. The D.O.A. comics we published as young punk kids in the early '90s may have been dystopian guns-and-boobs superhero adventures, but we were making comics about resistance against totalitarianism, disinformation, and suppression. To me, there's no difference." - Nate Powell

This issue features interviews with Eisner Award-winning artist Nate Powell, Look Back Library's Kevin Marks and Tucson artist Danny Martin. Writings include "Damn It Feels Good to be a Gangster" by Matthew Thompson, "On Janguism" by John Pugh, "How We Got There From Here" by Anna Marie Armstrong, "Moon Over Millimillenary" by Mark Dober and "Punk Evolution: Beyond the Binary" by Jane Mabrysmith. Art by Laura Walden. Jessie Lynn McMains closes this one out with her poem, "Love Letter With Trains and Brautigan." This issue is packed tight with words and art. Thoughts and inspiration!

52 page zine


Fluke #16: The Art of NXOEED
"I can remember being five years old and knowing I was going to be an artist. There was never any question. I started self-publishing at around twelve. My friend and I would make comics and then take them to the copy machine at the local supermarket. We'd walk in with handfuls of dimes we'd saved and feed into the machine. We didn't know what a zine was. We were kids and it was 1985. We were just trying to publish comics.”

- James B. Hunt

This issue is solely dedicated to James B. Hunt (NXOEED) and his art. Also included is a four page interview with James, where he reveals a clue or two on the whereabouts of hidden art, as well as how he got started and what motivates him today.

32 page zine, all art by James B. Hunt


Fluke #13
A love letter to Little Rock, the 25th Anniversary Issue looks back on that city's early '90s punk rock scene.

This issue opens with a story from the editor, about discovering this scene while in high school. This is full of interviews with those who played a big part of early Little Rock punk—James Brady (Trusty), Fletcher Clement (promotor), Colette Tucker (she hung the flyers around town), Andy Conrad (Numbskulz, Five-O, 12ft6) and Colin Brooks (Numbskulz, Substance). Mitchell Crisp returns with "Mitchell Crisp's Rainy Day Playlist," as does John Pugh with Zomby Fun Pages.

This issue also features Arkansas native and rock n roll legend Tav Falco, with a 12-page spread on the leader of Panther Burns. 68 pages of Arkansas underground music history!

"In the late ‘80s, a punk rock scene began to grow out of an art space on the corner of 7th Street and Chester in downtown Little Rock, Arkansas. It switched hands and names, from Urbi et Orbi to DMZ to Nemesis then Mandrake’s before Henry bought the place, built a pizzeria and named it Vino’s. Most people outside of Little Rock won’t recognize most names within this issue, but the names are insignificant. What matters is the connection that was made between teenagers all over the city who found each other at the only “alternative” space Little Rock had at the time. I believe that’s what we all truly crave - a common bond. Something to grab onto and call our own. This bond that was formed on that corner has stuck and what was once a scene is now something much deeper and more meaningful. To me, punk rock has always been about building something and the greatest structure erected from it has been the friendships we’ve made, and we continue to make. It was built from the ground up. Fletcher Clement booked the shows, Colette Tucker hung the flyers and John Pugh and others published fanzines. James Brady, Andy Conrad and Colin Brooks played in the bands. Dozens of others did their part, from working in copy shops to taking out the trash at the end of the night.

And then there’s the enigmatic Tav Falco! Rogue male, Falco grew up in Arkansas and transitioned to Memphis, where he formed Panther Burns in the ‘70s. Their first show outside of Memphis was at Burns Park in North Little Rock, Arkansas in 1979. Tav Falco is one of the truly original and romantic forces in American music - the voice that America lost and found. Not just a musician, Tav is a performance artist, actor, filmmaker, and photographer. He is presently living in Vienna and sometimes Paris."

68 page zine


Fluke #11
Interviews with buZ blurr of Colossus of Roads fame, Ed Crawford from fIREHOSE, Negative Approach, the late great Barker Gee and Bad Years.

40 page zine, cover art by buZ blurr